
The Albury Wodonga Superfiction 1993
Collaboration Peter Hill and J.J. Voss (Photographer)
1. POST-MODERNISM
2. MODERNISM
3. FICTION
4. HUMOUR
5. IRONY
6. APPROPRIATION
7. COMPLEXITY
8. FAKE
9. DECONSTRUCTION
10. SECONDARY MARKET
11. MYTH
12. READING-IN
13. MY PROJECT IS ABOUT
14. PASTICHE
15. DE-ACCESSIONING
16. ARCHIVES
17. MARKET VALUES
18. CHAOS THEORY
19. SELF-REFLEXIVE
20. FLAG
21. TRADITIONAL VALUES
22. OBJECT OF DESIRE
23. HYPE
24. MAGICIEN
25. BILDERSTREIT
26. CYBERSPACE
27. SITUATIONIST
28. CODE
29. ROMANCE LANGUAGE
30. PARADIGM
31. LAMINATE
32. MAKING IT
33. CENSORSHIP
34. GLASNOST
35. MODEL
36. CRISIS
37. SIMULACRUM
38. SPIRRTUALITY
39. CITY
40. CYNICAL MANIPULATION
41. C-PRINT
42. AIDS
43. REPRESENTATION
44. PUBLIC
45. MASTURBATORY
46. UN-AMERICAN
47. LOSS
48. MAGIC REALISM
49. RECESSION
50. PARODY
51. LANDSCAPE TV
52. BLUE CHIP
53. QUOTATION
54. PORNOGRAPHY
55. PRIMARY MARKET
56. DEMOCRACY
57. DEATH OF
58. TRANS AVANTGARDE
59. MUSEALISATION
60. OPEN SOCIETY
61. PERESTROIKA
62. SUB-TEST
63. PENDULUM
64. ANAL
65. TROPE
66. AUCTION
67. POST-GENDER ISSUES
68. NEGATIVE THEOLOGY
69. DRIPS
70. SUBTLE
71. RAGE
72. INSTINCT
73. FAKE SERENITY
74. SENATOR
75. JOKE
76. LETTRIST
77. KNIGHTS TEMPLARS
78. SADO-MASOCHISTIC
79. NEO-GEO
80. CYBER SPACE
81. FATCIFICATIONISM
82. OXYMORONICS
83. TRAGEDY
84. NOVELTY
85. VIRTUAL REALITY
86. LABYRINTH
87. LINGUISTIC DARWINISM
88. INTELLIGENT GLOVES
89. FRACTAL GEOMETRY
90. HYPER-REALIZATION
91. INDEXES
92. PICOLLAGE
93. SCIENTIFIC ME
94. POST-MODERN THEOLOGY
95. WORD-DIET
96. SYNTEITIC HODERNISM
97. WIHP INTERFACES ( WINDOWS,
IOONS, MICE AND PULL,DOWN
MENUS)
98. THE MARKET MUSEUM AXIS
100. DEATH OF THE CURATOR
"For the past five years, in fact for as long as we have been compiling the list, the top two places have been occupied by either Modernism or Post-Modernism. They have always vied extremely closely for first an second positions, but this year Post-Modernism was well to the front of the field.
Our interest, as in previous years, must then turn to positions three and four if any prognosis about a sub-text to the dominant synthetic modernist paradigm is to be found, and as you can see I've started speaking in the awful jargon which it is my sad task to collate. Over the preceding years either Myth of Tragedy would be found fairly near the top of the list, often together in third and fourth positions. They have now dropped, like cultural cluster bombs, to positions eleven and eighty-three respectively. Fiction and Humour now occupy the coveted positions three and four on the list and this single event probably reveals more about contemporary trends in the visual arts in the early nineties than all the other art terms combined." " Some of the terms in this year's list have entered well into the top half, such as Flag. This is unusual and is mainly related to censorship issues centering on artists like Andres Serrano and Robert Mapplethorpe. Other terms in the list refer to the content of the censored work. I can predict confidently that when the 1992 list comes out referring to 1991 there will be a similar influx of terms relating to the Gulf War." "Still looking to the future and to the way previous years' listings have evolved, I would predict that many of the terms at the bottom of the 1991 list will rocket up the charts over the next twelve months. Those I am especially aware of include: "Hyper-realization, Falsificationism, and Death of the Curator." "Secondary Market was the highest climber leaping from 62 to 10 which tells us something about the investment and supply-side of the market. Neo-Geo plummeted from 9 to 79 which was equally revealing about paradigm changes within the areas of production and criticism."